A Christmas Album

I managed to finish this in time to give to very good friends as a Christmas gift. A very nice project to work on and it came out 98% as I planned it should!

A Store Door Sign

I recently completed this door sign for a store front door.



A loose panel slides out at the back and can be turned around to show either "open" or "closed". That whole construction was made of leather and a hardboard panel was glued in between the two pieces of leather to keep things flat.











In the photo below take note of the thin black line, made with an extra thin sharpie, that gives a lot of definition to the carving that is being left uncolored (No antiques to go sit in the impressions and outline that carved figures.
















The next one shows the back of the sign. You can see where the open/close panel sits in its pocket at the back - it is lifted out and flipped around at open and close time.





Some of the detail from the back shows an African Cape Buffalo, and not a waterbuffalo as most Americans think.



Here is some detail from the back - just having fun with gemetric background designs.

From the distant past

Just dug up these old newspaper articles. And I realized if I do not digitize and electronify them now, they are going to be lost soon - they were real yellow already. But, cyber era to the rescue and here I have them "renewed" again.

This photo with the few words appeared in a local newspaper in Roodepoort South Africa in September 1985.


Some of the interesting scenes at the Roodepoort Publicity Association Hobby and Country fair recently. Enthusiasts from all over the West Rand came to see the exquisite dolls and other hobby demonstrations. Here are a few of them: Johan Potgieter, caught deep in concentration, while decorating a piece of leather.

Update April 5, 2019:  Found the whole article - 

Restoration Progress even Further

The coloring of the figure is done and the picture looks close to what it was when I finished it twenty years ago. Looking at the original photo shows that it must have been close to the same hue of brown that I used then as well.

On the next photo the background has also been given a light coat of tan to cover the white scars left by the thinners when I removed the Neatlac layers that covered the original.

The next step is rubbing on Dubbin to seal and waterproof the leather and help preserve it. You can see the rich lustre it gives to the leather and the spirit based dyes.

Restoration Progress

Slowly but surely the former image is emerging from the faded leather.

Restoration

This was the original work a few years after I finished it in 1982 - it is about fifty inches high and forty inches wide. Done on veg-tan African Buffalo leather - the hide was a gift from a friend and I had it tanned at a tannery near Johannesburg.

The artwork is a copy of a drawing by Hogarth, one of the original Tarzan artists - it is from his book "Dynamic Light and Shade."

This wall hanging has traveled extensively with me and when the glue-gun glue finally came off the back and let go of the leather frame, I decided it was also time to get the whole thing restored.

So I attacked it with thinners and a hefty scrubbing brush to get the four layers of Neat-Lac off - the dye had faded badly as you can see on the next photo.

With the leather clean again, I am now busy dyeing the figure first as close as I can to the original. On this second photo you can see the small piece that has been done so far. I am very pleased with the results.

From my Archive, a Cleaner

Found this in 'Henley's Twentieth Century Formulas, Recipes and Processes (1926):

CLEANING SKINS AND LEATHER:
To Clean Colored Leather. — Pour carbon bisulphide on non-vulcanized gutta-percha, and allow it to stand about 24 hours. After shaking actively add more gutta-percha gradually until the solution becomes of gelatinous consistency.

This mixture is applied in suitable quantity to oil-stained, colored leather and allowed to dry two or three hours. The subsequent operation consists merely in removing the coat of gutta-percha from the surface of the leather—that is, rubbing it with the fingers, and rolling it off the surface.

The color is not injured in the least by the sulphuret of carbon; only those leathers on which a dressing containing starch has been used look a little lighter in color, but the better class of leathers are not so dressed. The dry gutta-percha can be redissolved in sulphuret of carbon and used over again.

You can read more about gutta-percha at http://collections.ic.gc.ca/cable/gutta.htm

A Glue from my Archive

Found this in 'Henley's Twentieth Century Formulas, Recipes and Processes (1926):

Glue for Leather or Cardboard.—To attach leather to cardboard dissolve good glue (softened by swelling in water) with a little turpentine and enough water in an ordinary glue pot, and then having made a thick paste with starch in the proportin of 2 parts by weight, of starch powder for every 1 part, by weight, of dry glue, mix the compounds and allow the mixture to become cold before application to the cardboard.

A Very Unique Coin Purse

The Front of the coin purse.

This very special hard leather coin purse was shown to me by someone who had bought it in Germany. It is a Paulette Rollo Coin Purse


Its construction was a point of interest. It was made of two shaped halves of leather that was glued together, but there is no visible glue to be seen. The outside is so perfect, that we gathered it was molded inside a mold, maybe while it was filled with a hard wax, which could have been melted out of the inside.

However it was made, it is perfect - when it is closed, it is a very smooth hard nicely shaped heart.


The back of the purse - the quarter is there to show size. the feint line you see on this side is the seam where the purse opens. The sewn on strap acts as the hinge.


Here you see the 'lid' open - it is a perfect fit, obviously cut after the purse was shaped.


Here you can see the remarkable part of this unique piece - the seam where the top and bottom halves were joined - there is no sign of glue at all - the only thing you can see is clear on this photo: the seam was trimmed after it was glued.


See the very smooth inside of the purse - almost waxy. It made me think that it was probably formed around hard wax, which would then have been melted out. There is NO sign of any glue to be seen on the inside of the seam.

True Artistry

These amazing two knife sheaths were created by J Drewes, a knife maker from Minnesota and I had the priviledge to have both in my hand. The photos do no justice to this amazingly artistic work - it is not often that it is so pleasantly visible that a lot of thought and care had gone into the creation of a leather article.

The fins and Frog feet are thinned and sculpted to look very real and yet the leather looks very strong and durable indeed - here is indeed a leather artist who enjoys what he is doing....